John Donne (1572-1631) is a poet of concerted emotional and intellectual force, whose strenuously original approach to the subject matter, diction and form of verse re-made English poetry. Donne's poetry combines paradoxical wit, scientific and theological learning with the rhythms and diction of spoken language. Crises of love, conscience, and faith are the great concerns of his poetry which is by turns exalted or disenchanted, direct or oblique, morally profound or outrageously spiteful.

Housman's melodic and memorable poems have been popular for over a century. He writes typically of lost love, of the brevity of happiness, of young soldiers doomed to die. Admirers have found his work elegant and resonant; detractors have thought much of it mannered and glib. But Housman speaks with two voices: the smooth texts conceal a dark sub-text. This tormented and secretive man wrote poems alive with indirect self-disclosure.

Poignant, wry, chilling, challenging, amusing, thought-provoking and always intriguing, these accomplished tales from the pens of great writers are object-lessons in the art of creating a literary masterpiece on a small canvas. From the straightforwardly anecdotal to the more analytical of human behaviour, all are guaranteed to capture the imagination, stir the emotions, linger in the memory and whet the reader's appetite for more. In this book, Wordsworth Editions presents the modern reader with a rich variety of short stories by a host of towering literary figures ranging from Arnold Bennett to Virginia Woolf. This disparate and distinguished company of writers has rarely - if ever - met within the pages of one volume: the result is a positive feast.

Elizabeth Barrett Browning was such an acclaimed poet in her own lifetime that she was suggested as a candidate for the Poet Laureateship when Wordsworth died in 1850. Yet today we have only a limited knowledge of her considerable life's work as a poet, in part because of a lack of representative but accessible editions of her work. Readers will find here not only her well-known sonnet sequence of love poems, Sonnets From the Portuguese, but also lesser known sonnets, some in praise of the cross-dressing bohemian writer George Sand, others to contemporary poets and artists. Her religious and spiritual poetry echoes that of the Metaphysical poets. A different voice emerges in her social and political protest poems, such as "The Cry of the Children" and "The Runaway Slave at Pilgrim's Point". Her experimental ballads allowed her to develop a distinctive way of writing about women within an apparently conventional form. In the outstanding work of her maturity, Aurora Leigh, the woman's voice takes centre stage. This "novel-poem" is full of verve and interest, with a female poet-hero who casts a caustic eye on life and on her fellow men - and women.

Wilde, glamorous and notorious, more famous as a playwright or prisoner than as a poet, invites readers of his verse to meet an unknown and intimate figure. The poetry of his formative years includes the haunting elegy to his young sister and the grieving lyric at the death of his father. The religious drama of his romance with Rome is captured here, as well as its resolution in his renewed love of ancient Greece. He explores forbidden sexual desires, pays homage to the great theatre stars and poets of his day, observes cityscapes with impressionist intensity. His final masterpiece, The Ballad of Reading Gaol, tells the painful story of his own prison experience and calls for universal compassion. This edition of Wilde's verse presents the full range of his achievement as a poet.

Robert Burns, the most celebrated of all Scottish poets, is remembered with great devotion - his birthday on 25th January provokes fervour and festivity among Scots and many others the world over. Born in 1759 into miserable rustic poverty, by the age of eighteen Burns had acquired a good knowledge of both classical and English literature. In June 1786 his first collection of verse, Poems Chiefly in the Scottish Dialect, which included "To a Mouse" and "The Cotter's Saturday Night", was greeted with huge acclaim by all classes of society. His later poems and ballads include "Auld Lang Syne", the beautiful song "My Love is like a Red Red Rose", "Highland Mary", "Scots Wha Hae" and his masterpiece, "Tam o'Shanter".

This edition of the poetry of Rudyard Kipling (1865-1936) includes all the poems contained in the Definitive Edition of 1940. In his lifetime, Kipling was widely regarded as the unofficial Poet Laureate, and he was awarded the Nobel Prize for Literature in 1907. His poetry is striking for its many rhythms and popular forms of speech, and Kipling was equally at home with dramatic monologues and extended ballads.

Thomas Hardy started composing poetry in the heyday of Tennyson and Browning. He was still writing with unimpaired power sixty years later, when Eliot and Yeats were the leading names in the field. His extraordinary stamina and a consistent individuality of style and vision made him a survivor, immune to literary fashion. At the start of the twenty-first century his reputation stands higher than it ever did, even in his own lifetime. He is now recognised not only as a great poet, but as one who is widely loved. He speaks with directness, humanity and humour to scholarly or ordinary readers alike.

Romantic and Modernist, mystical dreamer and leader of the Irish Literary Revival, Nobel prizewinner, dramatist and, above all, poet, W.B.Yeats began writing with the intention of putting his "very self" into his poems. T.S.Eliot, one of many who proclaimed the Irishman's greatness, described Yeats as 'one of those few whose history is the history of their own time, who are part of the consciousness of an age which cannot be understood without them.' For anyone interested in the literature of the twentieth century, Yeat's poetry demands to be read and, what is more, to be read as a whole: this volume includes all of his published poetry, from the hauntingly beautiful early lyrics by which he is still best remembered, to the magnificent later work which put beyond question his status as the foremost poet of his age.

William Wordsworth (1771-1850) is the foremost of the English Romantic poets. He was much influenced by the events of the French Revolution in his youth, and he deliberately broke away from the artificial diction of the Augustan and neo-classical tradition of the eighteenth century. He sought to write in the language of ordinary men and women, of ordinary thoughts, sights and sounds, and his early poetry represents this fresh approach to his art. Wordsworth spent most of his adult life in the Lake District with his sister Dorothy and his wife Mary, by whom he had four children. His remarkable autobiographical poem The Prelude was completed in 1805, but was not published until after his death, and it is included in this full edition of Wordsworth's poetry.

'What the imagination seizes as Beauty must be truth' So wrote the Romantic poet John Keats (1795-1821) in 1817. This collection contains all of his poetry: the early work, which is often undervalued even today, the poems on which his reputation rests including the 'Odes' and the two versions of the uncompleted epic 'Hyperion', and work which only came to light after his death including his attempts at drama and comic verse.

Lawrence's reputation as a novelist has often meant that his achievements in poetry have failed to receive the recognition they deserve. This edition brings together, in a form he himself sanctioned, his Collected Poems of 1928, the unexpurgated version of Pansies, and Nettles, adding to these volumes the contents of the two notebooks in which he was still writing poetry when he died in 1930.

Walt Whitman's verse gave the poetry of America a distinctive national voice. It reflects the unique vitality of the new nation, the vastness of the land and the emergence of a sometimes troubled consciousness, communicated in language and idiom regarded by many at the time as shocking. Whitman's poems are organic and free flowing, fit into no previously defined genre and skilfully combine autobiographical, sociological and religious themes with lyrical sensuality. His verse is a fitting celebration of a new breed of American and includes Song of Myself, Crossing Brooklyn Ferry, the celebratory Passage to India, and his fine elegy for the assassinated President Lincoln, When Lilacs Last in the Dooryard Bloom'd.

The literary and dramatic work of J.M. Synge is most famous for the "riots" provoked by his 1907 play The Playboy of the Western World and, indeed, this was neither the first nor the last time that Synge's dramas incited passionate disagreements. But, one hundred years on, it's clear that his writings are amongst Ireland s most brilliant and significant, as well as controversial. Here, for the first time, a single volume collects all of Synge's published plays, including Playboy, along with his Poetry and Translations, and the prose works that detail his travels in The Aran Islands, In Wicklow, In Kerry and In Connemara.

John Milton (1608-74) has a strong claim to be considered the greatest English poet after Skakespeare. His early poems, collected and published in 1645, include the much loved pair L'Allegro and Il Penseroso ('the cheerful man and the thoughtful man'), Lycidas (his great elegy on a fellow poet) and Comus (the one masque which is still read today). When the Civil War began Milton abandoned poetry for politics and wrote a series of pamphlets in defence of the Parliamentary party, then in defence of the execution of Charles I: these include his great defence of the freedom of the press, Areopagitica.

Lyrical Ballads (1798 and 1800) constituted a quiet poetic revolution, both in its attitude to its subject-matter and its anti-conventional language. Those volumes and Wordsworth's and Coleridge's other major poems were central to the Romantic period and remain classic texts in our own time. Wordsworth focuses on 'the essential passions of the heart' and achieves a penetrating insight into love and death, solitude and community. Coleridge explores a more fantastic and dreamlike imagination and also writes poems of quiet, conversational meditation. Both poets look with a fresh and visionary eye at the human and thenatural world. They examine the condition of men and women at the extreme edge of society; they are also subtle analysts of their own minds and the processes of introspection and memory. This volume contains all of Lyrical Ballads (1798) with Wordsworth's Preface of 1800/1802, and a wide-ranging selection of both poet's other work, including virtually all their best known and discussed shorter poems.

During his life, Geoffrey Chaucer (bornc.1340) was courtier, diplomat, revenue collector, administrator, negotiator,overseer of building projects, landowner and knight of the shire. He was servant, retainer, husband, friend and father, but is now mainly known as a poet and `the father of English literature', a position to which he was raised by other writers in the generation after his death. I

Robert Browning (1812-1889) represents the intellectual and argumentative strand in English poetry in contrast to the more ornate style of Spenser and Tennyson. His poetry demonstrates how a poet must be a sharp perceptive observer of the complexity of the human condition.
Perhaps his most moving poetry was written to express his feelings for his wife, the poet Elizabeth Barrett Browning, in which he deals in a very 'modern' way with the uncomfortable fact that we can never quite bridge the gap between ourselves and the people we love.

Shakespeare's sonnets have an intensity of both feeling and meaning unmatched in English sonnet form. They divide into two parts; the first 126 sonnets are addressed to a fair youth for whom the poet has an obsessive love and the second chronicles his love for the notorious "Dark Lady". In addition to the sonnets, this volume includes Shakespeare's two lengthy narrative poems on classical themes, "The Rape of Lucrece" which looks forward to the dark imagery of Macbeth, and "Venus and Adonis" which mixes ribaldry and tragedy in unique Shakespearean manner. "The Phoenix and the Turtle" is a beautiful metaphysical and allegorical short elegy, and takes its place with Shakespeare's better-known poetry.

'I mean to show things really as they are, not as they ought to be'. wrote Byron (1788-1824) in his comic masterpiece Don Juan, which follows the adventures of the hero across the Europe and near East which Byron knew so well, touching on the major political, cultural and social concerns of the day.

Initially a vivacious, outgoing person, Emily Dickinson (1830-1886) progressively withdrew into a reclusive existence. An undiscovered genius during her lifetime, only seven out of her total of 1,775 poems were published prior to her death. She had an immense breadth of vision and a passionate intensity and awe for life, love, nature, time and eternity.

Christina Rossetti is widely regarded as the most considerable woman poet in England before the twentieth century. No reading of nineteenth century poetry can be complete without attention to this prolific and popular poet. Rosetti's inner life dominates her poetry, exploring loss and unattainable hope. Her divine poems have a freshness and toughness of thought, while many of her love poems are erotic, and as often express love for women as for men. The varied threads of Rossetti's concerns are drawn together in what is perhaps her greatest poem, the strange and ambiguous "Goblin Market".

William Blake was an engraver, painter and visionary mystic as well as one of the most revolutionary of the Romantic poets. His writing attracted the astonished admiration of authors as diverse as Wordsworth, Ruskin, W.B.Yeats, and more recently beat poet Allen Ginsberg and the "flower power" generation. He is one of England's most original artists whose works aim to liberate imaginative energies and subvert "the mind-forged manacles" of restriction. This volume contains many of his writings, including: Songs of Innocence, Songs of Experience, The Marriage of Heaven and Hell, and a generous selection from the Prophetic Books including Milton and Jerusalem.

Shelley's short, prolific life produced some of the most memorable and well-known lyrics of the Romantic period. But he was also the most radical writer in the English literary tradition of his day, a fiery political visionary committed to social change and progress.The generous selection in this volume represents the wide range of his writing, both poetry and prose

In his draft Preface, Wilfred Owen includes his well-known statement "My subject is War, and the pity of War. The Poetry is in the pity". All of his important poems were written in just over a year, and "Dulce et Decorum Est", "S.I.W.", "Futility" and "Anthem for Doomed Youth" still have an astonishing power to move the reader. Owen pointed out that "All a poet can do today is to warn. That is why all true Poets must be truthful". His warning was based on his acute observation of the soldiers with whom he served on the Western Front, and his poems reflect the horror and the waste of the First World War. This volume contains all Owen's best-known poems, only four of which were published in his lifetime.