It is 1948. Japan is rebuilding her cities after the calamity of World War Two, her people putting defeat behind them and looking to the future. The celebrated artist, Masuji Ono, fills his days attending to his garden, his house repairs, his two grown daughters and his grandson; his evenings drinking with old associates in quiet lantern-lit bars. His should be a tranquil retirement. But as his memories continually return to the past - to a life and career deeply touched by the rise of Japanese militarism - a dark shadow begins to grow over his serenity.

If you enjoyed An Artist of the Floating World, you might also like Ishiguro's The Remains of the Day, now available in Faber Modern Classics.

It is 1948. Japan is rebuilding her cities after the calamity of World War II, her people putting defeat behind them and looking to the future.The celebrated painter Masuji Ono fills his days attending to his garden, his house repairs, his two grown daughters and his grandson, and his evenings drinking with old associates in quiet lantern-lit bars. His should be a tranquil retirement. But as his memories continually return to the past - to a life and a career deeply touched by the rise of Japanese militarism - a dark shadow begins to grow over his serenity.

In a sublime story cycle, Kazuo Ishiguro explores ideas of love, music and the passing of time. From the piazzas of Italy to the Malvern Hills, a London flat to the 'hush-hush floor' of an exclusive Hollywood hotel, the characters we encounter range from young dreamers to cafe musicians to faded stars, all of them at some moment of reckoning. Gentle, intimate and witty, this quintet is marked by a haunting theme: the struggle to keep alive a sense of life's romance, even as one gets older, relationships flounder and youthful hopes recede.

The extraordinary new novel from the author of Never Let Me Go and the Booker Prize winning The Remains of the Day.

The Romans have long since departed, and Britain is steadily declining into ruin. But at least the wars that once ravaged the country have ceased.

The Buried Giant begins as a couple, Axl and Beatrice, set off across a troubled land of mist and rain in the hope of finding a son they have not seen for years. They expect to face many hazards - some strange and other-worldly - but they cannot yet foresee how their journey will reveal to them dark and forgotten corners of their love for one another.

Sometimes savage, often intensely moving, Kazuo Ishiguro's first novel in a decade is about lost memories, love, revenge and war.

In the summer of 1956, Stevens, the ageing butler of Darlington Hall, embarks on a leisurely holiday that will take him deep into the English countryside and into his past . . . A haunting tale of lost causes and lost love, The Remains of the Day, winner of the Booker Prize, contains Ishiguro's now celebrated evocation of life between the wars in a Great English House - within its walls can be heard ever more distinct echoes of the violent upheavals spreading across Europe.

Ryder, a renowned pianist, arrives in a Central European city he cannot identify for a concert he cannot remember agreeing to give. But then as he traverses a landscape by turns eerie and comical - and always strangely malleable, as a dream might be - he comes steadily to realise he is facing the most crucial performance of his life.

Ishiguro's extraordinary and original study of a man whose life has accelerated beyond his control was met on publication by consternation, vilification - and the highest praise.

England, the 1930s. Christopher Banks has become the country's most celebrated detective, his cases the talk of London society. Yet one unsolved crime has always haunted him: the mysterious disappearance of his parents, in old Shanghai, when he was a small boy. Moving between inter-war London and Shanghai, When We Were Orphans is a remarkable story of memory, intrigue and the need to return.