"If you care about something you have to protect it. If you're lucky enough to find a way of life you love, you have to find the courage to live it." Eleven-year-old Owen Meany, playing in a Little League baseball game in Gravesend, New Hampshire, hits a foul ball and kills his best friend's mother. Owen doesn't believe in accidents; he believes he is God's instrument. What happens to Owen after that 1953 foul ball is both extraordinary and terrifying.

In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, a twelve-year-old boy mistakes the local constable's girlfriend for a bear. Both the twelve-year-old and his father become fugitives, pursued by the constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.

'If you care about something you have to protect it. If you're lucky enough to find a way of life you love, you have to find the courage to live it.'
Eleven-year-old Owen Meany, playing in a Little League baseball game in Gravesend, New Hampshire, hits a foul ball and kills his best friend's mother. Owen doesn't believe in accidents; he believes he is God's instrument. What happens to Owen after that 1953 foul ball is both extraordinary and terrifying.

Homer Wells' odyssey begins among the apple orchards of rural Maine. As the oldest unadopted child at St Cloud's orphanage, he strikes up a profound and unusual friendship with Wilbur Larch, the orphanage's founder - a man of rare compassion and an addiction to ether. What he learns from Wilbur takes him from his early apprenticeship in the orphanage surgery, to an adult life running a cider-making factory and a strange relationship with the wife of his closest friend...

'The first of my father's illusions was that bears could survive the life lived by human beings, and the second was that human beings could survive a life led in hotels.' So says John Berry, son of a hapless dreamer, brother to a cadre of eccentric siblings, and chronicler of the lives lived, the loves experienced, the deaths met, and the myriad strange and wonderful times encountered by the family Berry. Hoteliers, pet-bear owners, friends of Freud (the animal trainer and vaudevillian, that is), and playthings of mad fate, they 'dream on' in this funny, sad, outrageous, and moving novel.

This is the life and times of T. S. Garp, the bastard son of Jenny Fields - a feminist leader ahead of her times. It is also the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes - even of sexual assassinations. It is a novel rich with 'lunacy and sorrow'; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. It provides almost cheerful, even hilarious evidence of its famous last line: "In the world according to Garp, we are all terminal cases."

Jack Burns' mother, Alice, is a tattoo artist in search of the boy's father, a virtuoso organist named William who has fled America to Europe. To fund her journey, she plies her trade in the seaports of the Baltic coast. But her four-year-old son's errant father can't be found, and soon even Jack's memories of that perplexing time are called into question. It is only when he becomes a Hollywood actor in later life that what he has experienced in the past comes into telling play in his present......

This is the story of Ruth Cole. It is told in three parts: on Long Island, in the summer of 1958, when she is only four; in 1990, when she is an unmarried woman whose personal life is not nearly as successful asher literary career; and in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She's also about to fall in love for the first time...